All Publications

ZORA Publication List

Publications

• 2018

  • Journal Article

    • Frey Büchel, Nicole (2018). The indivisibility of change: the challenge of trauma to the genre of coming-of-age narratives. IAFOR Journal of Arts & Humanities, 5(1):23-34.
    • Hundt, Marianne (2018). Review of Debra Ziegeler. 2015. Converging Grammars: Constructions in Singapore English. Boston, Berlin: de Gruyter. English World-Wide: a journal of varieties of English, 39(2):243-249.
    • Leitner, Magdalena (2018). Rezension/Book Review of : Requests in American and British English : A Contrastive Multi-method Analysis by Ilka Flöck, John Benjamins. Journal of Pragmatics, 124:125-127.
    • Seoane, Elena; Hundt, Marianne (2018). Voice alternation and authorial presence : variation across disciplinary areas in academic english. Journal of English Linguistics, 46(1):3-22.
    • Timofeeva, Olga (2018). Aelfred mec heht gewyrcan: sociolinguistic concepts in the study of Alfredian English. English Language and Linguistics, 22(01):123-148.

  • Book Section

    • Pfenninger, Simone; Singleton, David (2018). Bilingualism in midlife. In: De Houwer, Annick; Ortega, Lourdes. The Cambridge Handbook of Bilingualism. Cambridge: Cambridge University Press, 76-100.
    • Hundt, Marianne (2018). It is time that this (should) be studied across a broader range of Englishes: a global trip around mandative subjunctives. In: Deshors, Sandra C. Modeling World Englishes. Assessing the interplay of emancipation and globalization of ESL varieties. Amsterdam: John Benjamins Publishing, 217-244.
    • Frank, Michael C (2018). "Why do they hate us?": Terrorists in American and British fiction of the mid-2000s. In: Herman, Peter C. Terrorism and Literature. Cambridge: Cambridge University Press, 340-360.
    • Schneider, Gerold; Gilquin, Gaëtanelle (2018). Detecting innovations in a parsed corpus of learner English. In: Deshors, Sandra C.; Götz, Sandra; Laporte, Samanantha. Rethinking linguistic creativity in non-native Englishes. Amsterdam: John Benjamins Publishing, 47-74.
    • Oppliger, Rahel (2018). Whatever the specific circumstances, …: a construction grammar perspective of wh-ever clauses in English. In: Seoane, Elena; Acuña-Fariña, Carlos; Palacios-Martínez, Ignacio. Subordination in English: Synchronic and Diachronic Perspectives. Berlin: De Gruyter, 263-284.
    • Frank, Michael C (2018). Two worlds in one book: "Ways of Sunlight" and the migrant short story cycle. In: Gill, Patrick; Kläger, Florian. Constructing coherence in the British short story cycle. New York and London: Routledge, 127-141.
    • Straumann, Barbara (2018). Very British : Eine Engländerin in Amerika. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino : Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 33-56.
    • Binotto, Johannes (2018). Extremes Sprechen. Zur Stimme von Werner Herzog. In: Bachmann, Alejandro; Koch, Michelle. Echos. Zum dokumentarischen Werk Werner Herzogs. Berlin: Vorwerk 8, 204-216.
    • Binotto, Johannes (2018). Closed Circuits. Immanence as Disturbance in High Definition Cinema. In: Koch, Lars; Nanz, Tobias; Pause, Johannes. Disruption in Arts. Berlin, Boston: De Gruyter, 171-185.
    • Bevan Zlatar, Antoinina (2018). ‘“Flowers wrought in carpets”: looking afresh at the Homily against Peril of Idolatrie. In: Pitassi, Maria-Cristina; Solfaroli Camillocci, Daniela. Crossing traditions: essays on reformation and intellectual history: in honour of Irena Backus. Leiden: Brill, 386-404.
    • Lehmann Imfeld, Zoe (2018). Imagination as co-creation: science and theology through the lens of science-fiction literature. In: Lehmann Imfeld, Zoe; Losch, Andreas. Our common cosmos: exploring the future of theology, human culture and space sciences. London: Bloomsbury, 125-140.
    • Lehmann Imfeld, Zoë Christina; Losch, Andreas (2018). Introduction. In: Lehmann Imfeld, Zoe; Löschel, Andreas. Our Common Cosmos: Exploring the Future of Theology, Human Culture and Space Sciences. London: Bloomsbury, 1-6.
    • Jucker, Andreas H (2018). Historische Pragmatik. In: Liedtke, Frank; Tuchen, Astrid. Handbuch Pragmatik. Stuttgart: J. B. Metzler, 132-139.
    • Ittensohn, Mark (2018). A 'shred and patch school of writing': The emergence of the modern short story cycle in late Romantic Britain.. In: Gill, Patrick; Kläger, Florian. Constructing coherence in the British short story cycle. New York and London: Routledge, 71-89.
    • Reddick, Allen (2018). By deeds of stealth: English books abroad in the mid-eighteenth century. In: Orgis, Rahel; Heim, Matthias. Fashioning England and the English: literature, nation, gender. Cham: Palgrave Macmillan, 121-145.
    • Bronfen, Elisabeth (2018). Rethinking genre memory: Hitchcock's Vertigo and its revision. In: Vaughan, Hunter; Conley, Tom. The Anthem handbook of screen theory. New York City, NY, U.S.A.: Anthem Press, 193-208.
    • Bronfen, Elisabeth (2018). Internal enmity: Hollywood's fragile home stories in the 1950s and 1960s. In: Pettey, Homer B.. Cold War Film Genres. Edinburgh, UK: Edinburgh University Press, 123-143.
    • Ljungberg, Christina (2018). Mapping Utopia. In: Riquet, Johannes; Kollmann, Elizabeth. Spatial modernities : geography, narrative, imaginaries. New York: Routledge, 42-56.
    • Straumann, Barbara (2018). Admired and reviled: figures of finance capitalism in Martin Scorsese's "The Wolf of Wall Street" (2013) and Anthony Trollope's "The Way We Live Now" (1875). In: Zwierlein, Anne-Julia; Petzold, Jochen; Boehm, Katharina; Decker, Martin. Anglistentag 2017 Regensburg: Proceedings. Trier: WVT Wissenschaftlicher Verlag Trier, 145-157.
    • Jucker, Andreas H (2018). Introduction to part 5: Corpus pragmatics. In: Jucker, Andreas H; Schneider, Klaus P; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 455-466.
    • Jucker, Andreas H (2018). Introduction to part 4: Observational pragmatics. In: Jucker, Andreas H; Schneider, Klaus P.; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 335-342.
    • Jucker, Andreas H (2018). Data in pragmatic research. In: Jucker, Andreas H; Schneider, Klaus P; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 3-36.
    • Bronfen, Elisabeth (2018). Verwehte Spuren. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen, 234-245.
    • Bronfen, Elisabeth (2018). Schlussakkord / Zu neuen Ufern / La Habanera. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen: Reclam, 195-207.
    • Binotto, Johannes (2018). Mann, Michael. In: Foerster, Lukas; Perneczky, Nikolaus. The real eighties: amerikanisches Kino der Achtzigerjahre: ein Lexikon. Wien: SYNEMA Gesellschaft für Film und Medien, 114-119.
    • Binotto, Johannes (2018). The Bigamist (1953). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 179-189.
    • Binotto, Johannes (2018). Drin bleiben: Zur Kadrage in Ida Lupinos Regiearbeiten. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 126-140.
    • Schneider, Gerold; Grigonyte, Gintare (2018). From Lexical Bundles to Surprisal and Language Models: measuring the idiom principle on native and learner language. In: Kopaczyk, Joanna; Tyrkkö, Jukka. Applications of Pattern-driven Methods in Corpus Linguistics. Amsterdam: Benjamins, 15-56.
    • Bronfen, Elisabeth (2018). Enchanted visions : ghostly media from E.T.A. Hoffmann to Alfred Hitchcock. In: Brewster, Scott; Thurston, Luke. The Routledge Handbook to the Ghost Story. New York: Routledge, 361-369.
    • Schoch, Hannah (2018). Not Wanted (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 152-158.
    • Schoch, Hannah (2018). Die Verhandlerin: Ida Lupino hinter der Kamera. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 79-96.
    • Bronfen, Elisabeth; Schoch, Hannah (2018). Ida Lupinos Arbeit am American Dream. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 14-32.
    • Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah (2018). Einleitung. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 7-12.
    • Loren, Scott (2018). Mediating the Crisis: Revisionary Economics in Oliver Stone’s Wall Street Films. In: Parvulescu, Constantin. Global Finance on Screen: From Wall Street to Side Street. London: Taylor & Francis, 123-140.
    • Ghilardi, Morgane Aeysha (2018). Never Fear (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino : die zwei Seiten der Kamera. Berlin: Bertz und Fischer, 159-165.
    • Castelli, Stella (2018). The Hitch-Hiker (1953). In: Bronfen, Elisabeth; Schoch, Hannah; Ritzer, Ivo. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 190-196.
    • Hundt, Marianne (2018). Variable article usage with institutional nouns: An “oddment” of English?. In: Ho-Cheong Leung, Alex; van der Wurff, Wim. The Noun Phrase in English. Past and present. Amsterdam: John Benjamins, 113-142.
    • Bronfen, Elisabeth (2018). Hurray for Hollywood. Philosophy and Cinema According to Stanley Cavell. In: Herzogenrath, Bernd. Film as Philosophy. Minneapolis: University of Minnesota Press, 180-199.

  • Conference or Workshop item

    • Schneider, Gerold; Graën, Johannes (2018). NLP Corpus Observatory – Looking for Constellations in Parallel Corpora to Improve Learners’ Collocational Skills. In: 7th Workshop on NLP for Computer Assisted Language Learning at SLTC 2018 (NLP4CALL 2018), Stockholm, 7 November 2018 - 7 November 2018, 69-78.
    • Schneider, Gerold (2018). Differences between Swiss High German and German High German via data-driven methods. In: 3rd Swiss Text Analytics Conference (SwissText 2018), Winterthur, Switzerland, 12 June 2018 - 13 June 2018. CEUR-WS, 17-25.
    • Schneider, Gerold (2018). Differences between Swiss High German and German German via data-driven methods. In: SwissText 2018: 3rd Swiss Text Analytics Conference, Winterthur, 12 Juni 2018 - 13 Juni 2018.

  • Dissertation

    • Binder, Sabine. Women in Crime: victims, perpetrators and detectives in post-transitional South African crime fiction. 2018, University of Zurich, Faculty of Arts.
    • Barwick, Kane. Darkness repeating : a Derridean analysis of Charles Dickens' Our mutual friend, Great expectations and Bleak house. 2018, University of Zurich, Faculty of Arts.

  • Edited Scientific Work

    • Edited by: Drath, Marie; Haensler, Philippe P; Höhn, Simone Eva; Hubmann, Philipp; Ittensohn, Mark (2018). Bern: Peter Lang. Variations: 20 Jahre / 20 ans / 20 Years.
    • Edited by: Timofeeva, Olga; Ingham, Richard (2018). Cambridge: Cambridge University Press. Mechanisms of French contact influence in Middle English: diffusion and maintenance.

Pagination