All Publications

ZORA Publication List

Publications

• 2011

  • Monograph

    • Schreier, Daniel; Lavarello Schreier, Karen (2011). Tristan da Cunha and the Tristanians. London: Battlebridge.

  • Newspaper Article

    • Binotto, Johannes. Ästhetik des Verderbens. In: Neue Zürcher Zeitung, 21 September 2011, p.21.
    • Binotto, Johannes. Medium und Verbrechen. Das Zürcher Filmpodium zeig Fritz Langs «While the City Sleeps». In: NZZ, 150, 30 June 2011, 21.
    • Binotto, Johannes. Fruchtbare Umwege. «Niedertourige Roadmovies» im Aprilprogramm des Zürcher Kinos Xenix. In: NZZ, 74, 29 March 2011, 21.
    • Binotto, Johannes. Die Schönheit des Abseitigen. Die «Tiger Lillies Freakshow» im Theater Winterthur. In: NZZ, 71, 25 March 2011, 25.
    • Binotto, Johannes. Hellsichtige Verdunkelungen. Das Filmpodium Zürich zeigt eine Retrospektive auf das Werk von Arthur Penn. In: NZZ, 38, 15 February 2011, 17.

  • Scientific Publication in Electronic Form

    • Lehmann, Hans Martin; Schneider, Gerold (2011). A large-scale investigation of verb-attached prepositional phrases. Helsinki: University of Helsinki.
    • Binotto, Johannes (2011). Ein-Bildungen – Zum Kino der Hysterie. Zürich: Kino Xenix.

• 2010

  • Journal Article

    • Bissig, Florian (2010). Review of Elinor Shaffer and Edoardo Zuccato (eds.). The Reception of S.T. Coleridge in Europe. Romanticism, 16:327-329.
    • Rinaldi, Fabio; Schneider, Gerold; Kaljurand, Kaarel; Clematide, Simon; Vachon, Thérèse; Romacker, Martin (2010). OntoGene in BioCreative II.5. IEEE/ACM Transactions on Computational Biology and Bioinformatics, 7(3):472-480.
    • Binotto, Johannes (2010). Für ein unreines Kino. Film und Surrealismus. Filmbulletin: Zeitschrift für Film und Kino, 306(April):33-39.
    • Jucker, Andreas H (2010). Review of Laurel J. Brinton. 2008. The Comment Clause in English. Syntactic Origins and Pragmatic Developments. Cambridge: Cambridge University Press. Language, 86(1):214-215.
    • Schneider, Gerold; Zimmermann, Heinrich (2010). Text Mining Methoden im Semantic Web. HMD Praxis der Wirtschaftsinformatik, (271):35-46.
    • Steiner - Karafili, Enit (2010). Byron and the Albanians: Unearthing Identities. Studia Albanica, 47(2):137-147.
    • Ljungberg, Christina (2010). Dynamic instances of interaction: the performative function of iconicity in literary texts. Sign Systems Studies, 38(1/4):270-297.
    • Schlote, Christiane (2010). No leisurely stroll through arab and punjabi london: transnational cityscapes in hanan al-shaykh’s only in london and meera syal’s life isn’t all ha ha hee hee. Interactions. Journal of English and American Literature and Culture, 19(1-2):75-91.
    • Schlote, Christiane (2010). Representational Ambiguities and the ‘Dictator Play’. Carmen Rivera’s Dictator: The Downfall of the Dominican Dictator Rafael Leónidas Trujillo Molina. Journal of Haitian Studies, 16(1):70-86.
    • Schönfelder, Christa (2010). Review of: Roger Luckhurst, The Trauma Question. Variations: Literaturzeitschrift der Universität Zürich, 18:245-246.
    • Bitterli, Dieter (2010). Alkuin von York und die angelsächsische Rätseldichtung. Anglia, 128(1):4-20.
    • Steiner - Karafili, Enit (2010). Review of: Karen O'Brien. Women and Enlightenment in Eighteenth-Century Britain. CUP, 2009. Variations: Literaturzeitschrift der Universität Zürich, 18:260-261.
    • Binotto, Johannes; Gerber, Andri (2010). Narration/Non-Ville/Description. le Journal Spéciale 'Z:32-39.
    • Reddick, Allen (2010). Past and Present in Samuel Johnson’s Dictionary of the English Language. International Journal of Lexicography, 23(2):207-222.
    • Bronfen, Elisabeth (2010). Rezension von Margerie Garber, Shakespeare and Modern Culture. Shakespear Jahrbuch, 146:233-234.
    • Frey Büchel, Nicole (2010). Buchbesprechung von: The English renaissance, orientalism, and the idea of Asia, eds. Debra Johanyak, Walter S.H. Lim., Palgrave Macmillan, 2010. Variations: Literaturzeitschrift der Universität Zürich, 18:254-256.
    • Biewer, Carolin; Hundt, Marianne; Zipp, Lena (2010). 'How' a Fiji corpus? Challenges in the compilation of an ESL ICE component. ICAME Journal, 34:5-23.

  • Book Section

    • Frey Büchel, Nicole; Berliner, Donna (2010). Prelude, or Growth of a Poet's Mind, The William Wordsworth (1799, 1805, 1850). In: Maunder, Andrew. Encyclopedia of Literary Romanticism. New York: Facts on File, Infobase Publishing, 345-349.
    • Tottie, Gunnel; Neukom-Hermann, Anja (2010). Quantifier-negation interaction in English: A corpus linguistic study of all...not constructions. In: Horn, Laurence R. The Expression of Negation. Berlin: De Gruyter, 149-185.
    • Binotto, Johannes (2010). Schnitttechnik des psychischen Apparats. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 21-28.
    • Esterhammer, Angela (2010). Übertragene Ruinen. Byron, Hemans, Keats. In: Döring, Tobias; et al. Übertragene Anfänge. Imperiale Figurationen um 1800. München: Fink, 131-146.
    • Markin, Alexander (2010). Hronologija žizni i tvorčestva H.H. Janna = Zeittafel zum Leben und Werk H.H. Jahnns. In: Volček, D. Hans Henni Jann «Eto nastiget každogo» = «Die Nacht aus Blei». Tver': Kolonna Publications, 385-393.
    • Ljungberg, Christina (2010). Intermedial Strategies in Multimedial Art. In: Elleström, Lars. Media Border, Multimodality and Intermediality. London: Palgrave MacMillan, 81-95.
    • Sobral Mourao, Ana (2010). Fragments of reminiscence: popular music as carrier of global memory. In: Assman, Aleida; Sebastian, Conrad. Memory in a Global Age : Discourses, Practices and Trajectories. London: Palgrave Macmillan Ltd., 199-224.
    • Bolander, Brook; Locher, Miriam A (2010). Constructing identity on Facebook: Report on a Pilot Study. In: Junod, Karen; Maillat, Didier. Peforming the Self. Tübingen: Narr Francke Attempto, 165-188.
    • Schreier, Daniel; Wright, Laura (2010). Earliest St Helenian English in writing: Evidence from the St Helena Consultations (1682-1723). In: Hickey, Raymond. Varieties of English in Writing: The written word as linguistic evidence. Amsterdam: John Benjamins Publishing, 245-262.
    • Schlote, Christiane (2010). British Asian Drama: Ayub Khan-Din. In: Tönnies, Merle. Das englische Drama der Gegenwart. Kategorien – Entwicklungen – Modellinterpretationen. Trier: WVT, 229-248.
    • Gutbrodt, Fritz (2010). Fußnoten und Geistesblitze: Zur Motivation des Credit Suisse Award for Best Teaching. In: Tremp, Peter. „Ausgezeichnete Lehre!“ Lehrpreise an Universitäten. Erörterungen – Konzepte – Vergabepraxis. Münster: Waxmann, 89-98.
    • Bronfen, Elisabeth (2010). The spectral bride and her uncanny double. In: McKinnon, E Luanne. Eva Hesse Spectres. New Heaven: Yale University Press, 40-47.
    • Bronfen, Elisabeth (2010). Nocturnal Wagner: The cultural survival of tristan and isolde in hollywood. In: Jeongwan, J; Gilman, S L. Wagner & Cinema. Bloomington: Indiana University Press, 315-332.
    • Bronfen, Elisabeth (2010). Silencing voices. In: Neumeier, Beate. Dichotonies. Gender and Music. Heidelberg: Winter, 23-29.
    • Bronfen, Elisabeth (2010). Interrogating light. The visuality of the text. In: Agazzi, E; Giannetto, E; Giudice, F. Representing light across arts and sciences : theories and practices. Göttingen, DE: V & R Unipress, 167-182.
    • Ljungberg, Christina (2010). Mapping Practices for Different Geographies. In: Kriz, Karel; Cartwright, William; Hurni, Lorenz. Mapping Different Geographies. Heidelberg / Berlin: Springer Verlag, 37-56.
    • Ljungberg, Christina (2010). The bell jar, the maze and the mural: Diagrammatic figurations as textual performance. In: Conradie, Jac; et al; Ljungberg, C. Signergy. Amsterdam / Philadelphia: John Benjamins, 47-72.
    • Seiler, Annina (2010). Latinis regulis barbara nomina stringi non possunt, or: How to write the vernacular. In: Robinson, Pamela R. Teaching Writing, Learning to Write: Proceedings of the XVIth Colloquium of the Comité International de Paléographie Latine. London: King's College London CLAMS (18 Nov 2010), 91-101.
    • Straumann, Barbara (2010). "There are many that I can be": The Poetics of Self-Performance in Isak Dinesen's "The Dreamers". In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr Francke Attempto, 153-163.
    • Straumann, Barbara (2010). Diva Warhol: Mediale Performance und Versteckspiel. In: Bier, Rolf; Büttner, Nils. Who is that pale man? Neues zu Warhol. München: Verlag Silke Schreiber, 195-222.
    • Esterhammer, Angela (2010). Performing identities in Byron and Bourdieu. In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 21-31.
    • Jucker, Andreas H (2010). "Audacious, brilliant!! What a strike!": Live text commentaries on the Internet as real-time narratives. In: Hoffmann, Christian R. Narrative Revisitied. Telling a Story in the Age of New Media. Amsterdam / Philadelphia: John Benjamins, 57-77.
    • Esterhammer, Angela (2010). Spontaneity, immediacy, and improvisation in Romantic poetry. In: Mahoney, Charles. The Blackwell Companion to Romantic Poetry. Oxford: Blackwell, 321-336.
    • Esterhammer, Angela (2010). The scandal of sincerity: Wordsworth, Byron, Landon. In: Milnes, Tim; Sinanan, Kerry. Romanticism, Sincerity and Authenticity. London: Palgrave Macmillan, 101-119.
    • Jucker, Andreas H (2010). Historical pragmatics. In: Fried, Mirjam; et al. Variation and change: pragmatic perspectives. Amsterdam: Benajmins, 110-122.

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