All Recent Publications

ZORA Publication List

Publications

• 2019

  • Seiler, Annina

    • Seiler, Annina (2019). Ælfric’s Glossary in the Middle English Period. In: Stenroos, Merja; Mäkinen, Martti; Thengs, Kjetil V; Traxel, Oliver M. Current Explorations in Middle English: Selected papers from the 10th International Conference on Middle English (ICOME), University of Stavanger, Norway, 2017. Bern: Peter Lang, 285-307.

  • Smirnova, Elena

    • Smirnova, Elena; Mailhammer, Robert; Flach, Susanne (2019). The role of atypical constellations in the grammaticalization of German and English passives. Diachronica, 36(3):384-416.

  • Smith, Nick

    • Smith, Nick; Schneider, Gerold; Hoffmann, Sebastian; Lehmann, Hans Martin (2019). Enhancing the linguistic discovery potential of historical corpora: a twin-track approach using ARCHER. In: CL 2019 International Corpus Linguistics Conference, Cardiff, Wales, UK, 22 Juli 2019 - 26 Juli 2019, Gossip Theme.

  • Sobral Mourao, Ana

    • Sobral Mourao, Ana (2019). 'My body is burning with the shame of not belonging': Gender, violence and shame in diasporic Somali women's writings. European Journal of English Studies, 23(3):326-339.

  • Straumann, Barbara

    • Straumann, Barbara (2019). The apotheosis of the star: modern forms of admiration. In: Grunenberg, Christoph; Fischer-Hausdorf, Eva. Icons: worship and admiration. Munich: Hirmer, 329-339.
    • Straumann, Barbara (2019). Apotheose des Stars: moderne Formen der Bewunderung. In: Grunenberg, Christoph; Fischer-Hausdorf, Eva. Ikonen: was wir Menschen anbeten. München: Hirmer, 329-339.

  • Szmrecsanyi, Benedikt

    • Szmrecsanyi, Benedikt; Röthlisberger, Melanie (2019). World Englishes from the perspective of dialect typology. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W. The Cambridge handbook of world Englishes. Cambridge: Cambridge University Press, 534-558.

  • Taavitsainen, Irma

    • Taavitsainen, Irma; Schneider, Gerold; Jones, Peter Murray (2019). Topics of eighteenth-century medical writing with triangulation of methods: LMEMT and the underlying reality. In: Taavitsainen, Irma; Hiltunen, Turo. Late Modern English medical texts: writing medicine in the eighteenth century (Including the LMEMT Corpus). Amsterdam: John Benjamins Publishing, 31-74.
    • Taavitsainen, Irma; Landert, Daniela (2019). Science. In: Brown, Peter. A new companion to Chaucer. Hoboken/Chichester: Wiley-Blackwell Publishing, Inc., 379-393.
    • Taavitsainen, Irma; Schneider, Gerold (2019). Scholastic argumentation in Early English medical writing and its afterlife: new corpus evidence. In: Suhr, Carla; Nevalianen, Terttu; Taavitsainen, Irma. From data to evidence in English language research. Leiden: Brill, 191-221.

  • Timofeeva, Olga

    • Timofeeva, Olga (2019). Chancery norms before Chancery English?: templates in royal writs from Alfred the Great to William the Conqueror. Journal of Historical Pragmatics, 20(1):51-77.

  • Van Driessche, Laetitia

    • Van Driessche, Laetitia; Cuyckens, Hubert (2019). Clausal verb complementation in varieties of English. JournaLIPP, 2019(7):72-91.

  • Zipp, Lena

    • Zipp, Lena (2019). World Englishes, migration and diaspora. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W. The Cambridge Handbook of World Englishes. Cambridge, 120-141.
    • Zipp, Lena (2019). Review of Sandra C. Deshors, Sandra Götz and Samantha Laporte (eds.). 2018. Rethinking Creativity in Non-Native Englishes. Amsterdam: John Benjamins. ICAME Journal, 43(1):123-128.

• 2018

  • Barwick, Kane

    • Barwick, Kane. Darkness repeating : a Derridean analysis of Charles Dickens' Our mutual friend, Great expectations and Bleak house. 2018, University of Zurich, Faculty of Arts.

  • Bevan Zlatar, Antoinina

    • Bevan Zlatar, Antoinina (2018). ‘“Flowers wrought in carpets”: looking afresh at the Homily against Peril of Idolatrie. In: Pitassi, Maria-Cristina; Solfaroli Camillocci, Daniela. Crossing traditions: essays on reformation and intellectual history: in honour of Irena Backus. Leiden: Brill, 386-404.

  • Binder, Sabine

    • Binder, Sabine. Women in Crime: victims, perpetrators and detectives in post-transitional South African crime fiction. 2018, University of Zurich, Faculty of Arts.

  • Binotto, Johannes

    • Binotto, Johannes (2018). Extremes Sprechen. Zur Stimme von Werner Herzog. In: Bachmann, Alejandro; Koch, Michelle. Echos. Zum dokumentarischen Werk Werner Herzogs. Berlin: Vorwerk 8, 204-216.
    • Binotto, Johannes (2018). Closed Circuits. Immanence as Disturbance in High Definition Cinema. In: Koch, Lars; Nanz, Tobias; Pause, Johannes. Disruption in Arts. Berlin, Boston: De Gruyter, 171-185.
    • Binotto, Johannes (2018). Übertragungsstörungen. Psychoanalyse als Tontechnik. Journal für Psychoanalyse, (59):88-111.
    • Binotto, Johannes (2018). Mann, Michael. In: Foerster, Lukas; Perneczky, Nikolaus. The real eighties: amerikanisches Kino der Achtzigerjahre: ein Lexikon. Wien: SYNEMA Gesellschaft für Film und Medien, 114-119.
    • Binotto, Johannes (2018). The Bigamist (1953). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 179-189.
    • Binotto, Johannes (2018). Drin bleiben: Zur Kadrage in Ida Lupinos Regiearbeiten. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 126-140.

  • Bronfen, Elisabeth

    • Bronfen, Elisabeth. Gespaltene Mutter der Nation. In: Republik, 5 December 2018, p.online.
    • Bronfen, Elisabeth. Die Zerstückelung Amerikas. In: Republik, 6 November 2018, p.online.
    • Bronfen, Elisabeth. Serielle Politik. In: Republik, 16 October 2018, p.online.
    • Bronfen, Elisabeth. Nach dem Aufstand. In: Republik, 18 September 2018, p.online.
    • Bronfen, Elisabeth (2018). Rethinking genre memory: Hitchcock's Vertigo and its revision. In: Vaughan, Hunter; Conley, Tom. The Anthem handbook of screen theory. New York City, NY, U.S.A.: Anthem Press, 193-208.
    • Bronfen, Elisabeth (2018). Internal enmity: Hollywood's fragile home stories in the 1950s and 1960s. In: Pettey, Homer B.. Cold War Film Genres. Edinburgh, UK: Edinburgh University Press, 123-143.
    • Bronfen, Elisabeth (2018). Parallel editing, double time: Mad Men's time machine. Zeitschrift für Medien- und Kulturforschung, 9(1):33-48.
    • Bronfen, Elisabeth (2018). Rezension zu: Marvin Keith Booker, Bob Batchelor: Mad Men: A Cultural History. Medienwissenschaft : Rezensionen, 2018(1):94-96.
    • Bronfen, Elisabeth (2018). Verwehte Spuren. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen, 234-245.
    • Bronfen, Elisabeth (2018). Schlussakkord / Zu neuen Ufern / La Habanera. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen: Reclam, 195-207.
    • Bronfen, Elisabeth (2018). Crossmappings: on visual culture. London: I.B. Tauris.
    • Bronfen, Elisabeth (2018). Enchanted visions : ghostly media from E.T.A. Hoffmann to Alfred Hitchcock. In: Brewster, Scott; Thurston, Luke. The Routledge Handbook to the Ghost Story. New York: Routledge, 361-369.
    • Bronfen, Elisabeth; Schoch, Hannah (2018). Ida Lupinos Arbeit am American Dream. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 14-32.
    • Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah (2018). Einleitung. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 7-12.
    • Edited by: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah (2018). Berlin: Bertz+Fischer. Ida Lupino: die zwei Seiten der Kamera.
    • Bronfen, Elisabeth (2018). Hollywood und das Projekt Amerika : Essays zum kulturellen Imaginären einer Nation. Bielefeld: transcript Verlag.
    • Bronfen, Elisabeth (2018). Hurray for Hollywood. Philosophy and Cinema According to Stanley Cavell. In: Herzogenrath, Bernd. Film as Philosophy. Minneapolis: University of Minnesota Press, 180-199.

  • Caspar, Cyril L.

    • Caspar, Cyril L. (2018). The Last Pilgrimage to Eternity: Protestant Paths to the Afterlife in Early Modern English Poetry. Bielefeld: Transcript Verlag.

  • Castelli, Stella

    • Castelli, Stella (2018). In the future I will love her, the wife of Stepford. Cinema, 63:23-36.
    • Castelli, Stella (2018). The Hitch-Hiker (1953). In: Bronfen, Elisabeth; Schoch, Hannah; Ritzer, Ivo. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 190-196.

  • Drath, Marie

    • Drath, Marie (2018). Variationen von HEFKER. Eine Besprechung von Efrat Gal-Eds Biographie über den jiddischen Dichter Itzik Manger und ihrer Rezeption im (deutschen) Feuilleton. Variations, 26:59-66.
    • Edited by: Drath, Marie; Haensler, Philippe P; Höhn, Simone Eva; Hubmann, Philipp; Ittensohn, Mark (2018). Bern: Peter Lang. Variations: 20 Jahre / 20 ans / 20 Years.

  • Frank, Michael C

    • Frank, Michael C (2018). "Why do they hate us?": Terrorists in American and British fiction of the mid-2000s. In: Herman, Peter C. Terrorism and Literature. Cambridge: Cambridge University Press, 340-360.
    • Frank, Michael C; Malreddy, Pavan Kumar (2018). Global Responses to the "War on Terror". European Journal of English Studies, 22(2):92-102.
    • Frank, Michael C (2018). Two worlds in one book: "Ways of Sunlight" and the migrant short story cycle. In: Gill, Patrick; Kläger, Florian. Constructing coherence in the British short story cycle. New York and London: Routledge, 127-141.

  • Frey Büchel, Nicole

    • Frey Büchel, Nicole (2018). The indivisibility of change: the challenge of trauma to the genre of coming-of-age narratives. IAFOR Journal of Arts & Humanities, 5(1):23-34.

  • Ghilardi, Morgane Aeysha

    • Ghilardi, Morgane Aeysha (2018). Never Fear (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino : die zwei Seiten der Kamera. Berlin: Bertz und Fischer, 159-165.

  • Grafmiller, Jason

    • Grafmiller, Jason; Szmrecsanyi, Benedikt; Röthlisberger, Melanie; Heller, Benedikt (2018). General introduction: a comparative perspective on probabilistic variation in grammar. Glossa, 3(1):1-10.

  • Hundt, Marianne

    • Hundt, Marianne (2018). It is time that this (should) be studied across a broader range of Englishes: a global trip around mandative subjunctives. In: Deshors, Sandra C. Modeling World Englishes. Assessing the interplay of emancipation and globalization of ESL varieties. Amsterdam: John Benjamins Publishing, 217-244.
    • Hundt, Marianne; Staicov, Adina (2018). Identity in the London Indian diaspora: towards the quantification of qualitative data. World Englishes, 37:166-184.
    • Hundt, Marianne (2018). Review of Debra Ziegeler. 2015. Converging Grammars: Constructions in Singapore English. Boston, Berlin: de Gruyter. English World-Wide: a journal of varieties of English, 39(2):243-249.
    • Hundt, Marianne (2018). Variable article usage with institutional nouns: An “oddment” of English?. In: Ho-Cheong Leung, Alex; van der Wurff, Wim. The Noun Phrase in English. Past and present. Amsterdam: John Benjamins, 113-142.

  • Ittensohn, Mark

    • Ittensohn, Mark (2018). A 'shred and patch school of writing': The emergence of the modern short story cycle in late Romantic Britain.. In: Gill, Patrick; Kläger, Florian. Constructing coherence in the British short story cycle. New York and London: Routledge, 71-89.

  • Jucker, Andreas H

    • Jucker, Andreas H (2018). Apologies in the History of English: Evidence from the Corpus of Historical American English (COHA). Corpus Pragmatics, 2(4):375-398.
    • Jucker, Andreas H; Hausendorf, Heiko; Dürscheid, Christa; Frick, Karina; Hottiger, Christoph; Kesselheim, Wolfgang; Linke, Angelika; Meyer, Nathalie; Steger, Antonia (2018). Doing space in face-to-face interaction and on interactive multimodal platforms. Journal of Pragmatics, 134:85-101.
    • Jucker, Andreas H (2018). Historische Pragmatik. In: Liedtke, Frank; Tuchen, Astrid. Handbuch Pragmatik. Stuttgart: J. B. Metzler, 132-139.
    • Edited by: Jucker, Andreas H; Schneider, Klaus P.; Bublitz, Wolfram (2018). Berlin: De Gruyter Mouton. Methods in pragmatics.
    • Jucker, Andreas H (2018). Introduction to part 5: Corpus pragmatics. In: Jucker, Andreas H; Schneider, Klaus P; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 455-466.
    • Jucker, Andreas H (2018). Introduction to part 4: Observational pragmatics. In: Jucker, Andreas H; Schneider, Klaus P.; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 335-342.
    • Jucker, Andreas H (2018). Data in pragmatic research. In: Jucker, Andreas H; Schneider, Klaus P; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 3-36.

  • Lehmann Imfeld, Zoe

    • Lehmann Imfeld, Zoe (2018). Imagination as co-creation: science and theology through the lens of science-fiction literature. In: Lehmann Imfeld, Zoe; Losch, Andreas. Our common cosmos: exploring the future of theology, human culture and space sciences. London: Bloomsbury, 125-140.

  • Lehmann Imfeld, Zoë Christina

    • Lehmann Imfeld, Zoë Christina; Losch, Andreas (2018). Introduction. In: Lehmann Imfeld, Zoe; Löschel, Andreas. Our Common Cosmos: Exploring the Future of Theology, Human Culture and Space Sciences. London: Bloomsbury, 1-6.

  • Leitner, Magdalena

    • Leitner, Magdalena (2018). Rezension/Book Review of : Requests in American and British English : A Contrastive Multi-method Analysis by Ilka Flöck, John Benjamins. Journal of Pragmatics, 124:125-127.

  • Ljungberg, Christina

    • Ljungberg, Christina (2018). Mapping Utopia. In: Riquet, Johannes; Kollmann, Elizabeth. Spatial modernities : geography, narrative, imaginaries. New York: Routledge, 42-56.
    • Ljungberg, Christina (2018). Iconicity in cognition and communication. Historical Social Research, Suppl.(31):66-77.

  • Loren, Scott

    • Loren, Scott (2018). Mediating the Crisis: Revisionary Economics in Oliver Stone’s Wall Street Films. In: Parvulescu, Constantin. Global Finance on Screen: From Wall Street to Side Street. London: Taylor & Francis, 123-140.

  • Mühlheim, Martin

    • Mühlheim, Martin (2018). Fictions of Home: Narratives of Alienation and Belonging, 1850-2000. Tübingen: Narr Francke Attempto.

  • Oppliger, Rahel

    • Oppliger, Rahel (2018). Whatever the specific circumstances, …: a construction grammar perspective of wh-ever clauses in English. In: Seoane, Elena; Acuña-Fariña, Carlos; Palacios-Martínez, Ignacio. Subordination in English: Synchronic and Diachronic Perspectives. Berlin: De Gruyter, 263-284.

  • Reddick, Allen

    • Reddick, Allen (2018). By deeds of stealth: English books abroad in the mid-eighteenth century. In: Orgis, Rahel; Heim, Matthias. Fashioning England and the English: literature, nation, gender. Cham: Palgrave Macmillan, 121-145.

  • Rivera Godoy-Benesch, Rahel

    • Rivera Godoy-Benesch, Rahel (2018). Blaue Stunden von Joan Didion, 2012. Angewandte Gerontologie Appliquée, 3(2):47-48.
    • Rivera Godoy-Benesch, Rahel (2018). Sterben und Tod in der Literatur der Gegenwart. Angewandte Gerontologie Appliquée, 3(1):49-50.
    • Rivera Godoy-Benesch, Rahel (2018). No place for female creativity?: challenging male traditions of the Bildungsroman and the Künstlerroman in Karen Blixen’s "The Dreamers". Variations, 26:73-83.

  • Schneider, Gerold

    • Schneider, Gerold; Graën, Johannes (2018). NLP Corpus Observatory – Looking for Constellations in Parallel Corpora to Improve Learners’ Collocational Skills. In: 7th Workshop on NLP for Computer Assisted Language Learning at SLTC 2018 (NLP4CALL 2018), Stockholm, 7 November 2018 - 7 November 2018, 69-78.
    • Schneider, Gerold; Gilquin, Gaëtanelle (2018). Detecting innovations in a parsed corpus of learner English. In: Deshors, Sandra C.; Götz, Sandra; Laporte, Samanantha. Rethinking linguistic creativity in non-native Englishes. Amsterdam: John Benjamins Publishing, 47-74.
    • Schneider, Gerold (2018). Differences between Swiss High German and German High German via data-driven methods. In: 3rd Swiss Text Analytics Conference (SwissText 2018), Winterthur, Switzerland, 12 June 2018 - 13 June 2018. CEUR-WS, 17-25.
    • Schneider, Gerold (2018). Differences between Swiss High German and German German via data-driven methods. In: SwissText 2018: 3rd Swiss Text Analytics Conference, Winterthur, 12 Juni 2018 - 13 Juni 2018.
    • Schneider, Gerold; Grigonyte, Gintare (2018). From Lexical Bundles to Surprisal and Language Models: measuring the idiom principle on native and learner language. In: Kopaczyk, Joanna; Tyrkkö, Jukka. Applications of Pattern-driven Methods in Corpus Linguistics. Amsterdam: Benjamins, 15-56.

  • Schoch, Hannah

    • Schoch, Hannah (2018). Not Wanted (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 152-158.
    • Schoch, Hannah (2018). Die Verhandlerin: Ida Lupino hinter der Kamera. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 79-96.

  • Schreier, Daniel

    • Schreier, Daniel; Marković, Milan; Petković, Saša (2018). "i sall synge in haboundance of gastly softne" : /h/ insertion in Middle English: methodology, data mining and some first interpretations. SELIM : Journal of the Spanish Society for Mediaeval English Language and Literature, 23:115-136.

  • Seoane, Elena

    • Seoane, Elena; Hundt, Marianne (2018). Voice alternation and authorial presence : variation across disciplinary areas in academic english. Journal of English Linguistics, 46(1):3-22.

  • Staley, Larssyn

    • Staley, Larssyn (2018). Socioeconomic pragmatic variation: speech acts and address forms in context. Amsterdam: John Benjamins Publishing.

  • Straumann, Barbara

    • Straumann, Barbara (2018). Female Performers in British and American Fiction. Berlin: De Gruyter.
    • Straumann, Barbara (2018). Very British : Eine Engländerin in Amerika. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino : Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 33-56.
    • Straumann, Barbara (2018). Admired and reviled: figures of finance capitalism in Martin Scorsese's "The Wolf of Wall Street" (2013) and Anthony Trollope's "The Way We Live Now" (1875). In: Zwierlein, Anne-Julia; Petzold, Jochen; Boehm, Katharina; Decker, Martin. Anglistentag 2017 Regensburg: Proceedings. Trier: WVT Wissenschaftlicher Verlag Trier, 145-157.
    • Straumann, Barbara (2018). Maggie Smith: Grand Old Lady of British Cinema. Filmpodium, 2018(Juli-Sep):4-6.

  • Timofeeva, Olga

    • Timofeeva, Olga (2018). Mid ðare soðe luue ðe is icleped karite: Pastoral care and lexical innovation in the thirteenth century. SELIM Journal of the Spanish Society for Mediaeval English Language and Literature, 23:55-85.
    • Edited by: Timofeeva, Olga; Ingham, Richard (2018). Cambridge: Cambridge University Press. Mechanisms of French contact influence in Middle English: diffusion and maintenance.
    • Timofeeva, Olga (2018). Survival and loss of Old English religious vocabulary between 1150 and 1350. English Language and Linguistics, 22(2):225-247.
    • Timofeeva, Olga; Ingham, Richard (2018). Inroduction - Special issue on mechanisms of French contact influence in Middle English: diffusion and maintenance. English Language and Linguistics, 22(2):197-205.
    • Timofeeva, Olga (2018). Aelfred mec heht gewyrcan: sociolinguistic concepts in the study of Alfredian English. English Language and Linguistics, 22(01):123-148.

  • Zipp, Lena

    • Zipp, Lena (2018). Review of: Anna M. Babel (ed.). Awareness and control in sociolinguistic research. Cambridge, U.K.: Cambridge University Press. 2016. Journal of Sociolinguistics, 22(1):123-128.

• 2017

  • Bevan Zlatar, Antoinina

    • Bevan Zlatar, Antoinina (2017). Anne Clifford and her Bible. Studies in English Literature, 1500-1900, 57(1):157-180.
    • Bevan Zlatar, Antoinina (2017). "The image of their glorious maker": looking at representation and similitude in Milton's Paradise Lost. In: Bevan Zlatar, Antoinina; Timofeeva, Olga. What is an image in medieval and early modern England? Tübingen: Narr Francke Attempto, 241-265.
    • Edited by: Bevan Zlatar, Antoinina; Timofeeva, Olga (2017). Tübingen: Narr. What is an Image in Medieval and Early Modern England?.

  • Binotto, Johannes

    • Binotto, Johannes (2017). Prekäre Schauplätze: Der Film als das Unheimliche der Architektur. In: Binotto, Johannes. Film | Architektur. Basel: Birkhäuser, 10-28.
    • Binotto, Johannes (2017). Film / Architektur. Eine Einführung. In: Binotto, Johannes. Film | Architektur. Basel: Birkhäuser, 10-22.

Pagination