Publications

Isabel Karremann, Shakespeare/Space. Ed. by Isabel Karremann. Shakespeare Intersections Series. London: Bloomsbury (forthcoming 2024).

Isabel Karremann, “Women and the Country House: Enlightenment Critiques of Property Law and Gender in Eighteenth-Century Women’s Writing.” In Vom Recht der Frau zu den Frauenrechten. Mit Anne-Claire Michoux und Gideon Stiening. Reihe Feministische Aufklärung in Europa, Bd. 3. Stuttgart, Metzler (forthcoming 2024).

Isabel Karremann, “Introduction” in Shakespeare/Space, ed. by Isabel Karremann. Shakespeare Intersections Series. London: The Arden Shakespeare (forthcoming 2024).

Beatrice Montedoro, “Text/Space: The Spaces of Commonplacing” in Shakespeare/Space, Ed. by Isabel Karremann. Shakespeare Intersections Series. London: Bloomsbury (forthcoming 2024), pp. 255-276.

Omar Elerian (2023). Review of As You Like It, by the Royal Shakespeare Company. Shakespeare Bulletin, 41,4 (2024), ?.

Isabel Karremann (with Jonathan Baldo), “Introduction” to Memory and Affect in Shakespeare’s England. Co-ed. with Jonathan Baldo. Cambridge: Cambridge University Press (2023). 1-19.

Isabel Karremann, "Bartholomew Fair’s Olfactory Cross-Mappings: Smell – Place – Memory“. In Literature and the Senses, ed. by Annette Kern- Stähler and Elizabeth Robertson. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press (2023). 218-235.

Isabel Karremann, Memory and Affect in Shakespeare’s England. Ed. by Jonathan Baldo and Isabel Karremann. Cambridge: Cambridge University Press (2023).

Isabel Karremann, Figures of Pathos: In Honour of Elisabeth Bronfen. Co-ed. with Frauke Berndt and Klaus Müller-Wille. Würzburg: Königshausen & Neumann (2023).

Isabel Karremann, Review of Ritchie Robertson, Enlightenment: The Pursuit of Happiness, 1690-1740. London: Allen Lane, 2020. In Aufklärung 35 (forthcoming 2023).

Antoinina Bevan Zlatar, Review of Patrick J. McGrath, Early Modern Asceticism: Literature, Religion, and Austerity in the English Renaissance. University of Toronto Press (2020), Renaissance Quarterly Volume 75 , Issue 4 , Winter 2022 , pp. 1400 -1401.

Isabel Karremann, Review of Amy Cook, Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare’s Stages Today; Peter Kirwan, Shakespeare in the Theatre: Cheek by Jowl; Harry R. McCarthy, Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. In Shakespeare Jahrbuch 158 (2022).

Antoinina Bevan Zlatar, ‘God Talk: Seeing and Hearing the Dialogue in Heaven in Milton’s Paradise Lost’, Milton Studies Vol. 63, No. 2, 2021. 211-241.

Antoinina Bevan Zlatar, ‘Introduction: Words, Books, Images, and the Long Eighteenth Century: essays for Allen Reddick’ in Words, Books, Images, and the Long Eighteenth Century: Essays for Allen Reddick. Eds. Antoinina Bevan Zlatar, Mark Ittensohn, Enit Steiner and Olga Timofeeva. John Benjamins (2021). 1-15.

Antoinina Bevan Zlatar, ‘“The pretious life-blood of a master spirit”: Thomas Hollis and the Body and Spirit of John Milton’ in Words, Books, Images, and the Long Eighteenth Century: Essays for Allen Reddick. Eds. Antoinina Bevan Zlatar, Mark Ittensohn, Enit Steiner and Olga Timofeeva. John Benjamins (2021). 121-149.                   

Antoinina Bevan Zlatar, ‘Milton among the Iconoclasts’ in Making Milton: Print, Authorship, Afterlives. Eds. Emma Depledge, John Garrison and Marissa Nicosia. Oxford University Press (2021). 123-140.

Isabel Karremann (Hrsg.). Die Gleichheit der Geschlechter: Eine Literaturgeschichte der Aufklärung. Gesammelte Aufsätze von Ina Schabert. Feministische Aufklärung in Europa Bd. 1. Stuttgart: Metzler, 2021.

Isabel Karremann with Zeno Ackermann, Simi Malhotra, Nishat Zaidi. Terrains of Consciousness: Multilogical Perspectives on Globalization. Würzburg: Würzburg University Press, 2021.

Isabel Karremann, "From Insular Territory to Global Terrains of Consciousness: The Case of Robinson Crusoe and The Farther Adventures". In Terrains of Consciousness: Multilogical Perspectives on Globalization. Ed. by Zeno Ackermann, Isabel Karremann, Simi Malhotra, Nishat Zaidi. Würzburg: Würzburg University Press, 2021. 13-34.

Anne-Claire Michoux, “The Silence of Miss Woodhouse”, Persuasions Online 41:2 (Summer 2021). (read here) 

Anne-Claire Michoux. “Feminist Paratext in Mary Robinson’s A Letter to the Women of England (1799)”, Eighteenth-Century Paratext Network (May 2021). (read here)

Sophie Battell, “‘And huh too/ For all your big words!’: Language and Multiculturalism in Philip Massinger’s The Renegado”, in New Directions in Early Modern English Drama: Edges, Spaces, Intersections, ed. Aidan Norrie and Mark Houlahan. Berlin: De Gruyter, 2020. 117-33.

Isabel Karremann, "The Inheritance of Loss: Post-Reformation Memory Culture and the Limits of Antiquarian Discourse", in Remembering the Reformation, ed. Brian Cummings, Ceri Law, Bronwyn Wallace, and Alexandra Walsham. New York: Routlegde, 2020. 41-58.

Isabel Karremann, "Post-Reformatorische Gedächtniskultur in Edmund Spensers ‚The Ruines of Time‘", in Formen der Selbstthematisierung in der vormodernen Lyrik, hg. von Dorothea Klein. Spolia Berolinensia 39. Hildesheim: Weidmann, 2020. 321-339.

Isabel Karremann und Gideon Stiening (Hrsg.). Die Feministische Aufklärung in Europa/The Feminist Enlightenment across Europe. Sondernummer Aufklärung: Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte. Bd. 32, 2020.

Isabel Karremann, "Religion and the Feminist Enlightenment: The Case of Mary Astell". InDie Feministische Aufklärung in Europa / The Feminist Enlightenment across Europe. Aufklärung 32 (2020), 67-86.

Isabel Karremann, "Die Crusoe-Trilogie als Utopie der Einsamkeit". In Kulturen der Einsamkeit, hg. von Ina Bergmann und Dorothea Klein. Würzburg: Königshausen und Neumann, 2020. 195-210.

Beatrice Montedoro, “EVELYN TRIBBLE, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body. Pp. x + 227 (The Arden Shakespeare Library). London: Bloomsbury Publishing Plc for The Arden Shakespeare, 2017. £70.00 (ISBN 978 1 4725 7603 3)”, Notes and Queries, 67,4 (2020), 573-575.

Beatrice Montedoro, “Comedies and Tragedies ‘read of me’ and ‘not yet learned’: Dramatic Extracting in Bodleian Library MS Rawlinson D 952’”, in Early British Drama in Manuscript, edited by Tamara Atkin and Laura Estill (Brepols, 2019). 281-298.